Built for the speed producers work at

You own the schedule, the budget and the delivery date. Sohonet keeps your locations in sync, your deliverables moving and your reviews in real time, so problems get solved before they land on your desk.

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Connecting 500+ M&E companies and 100,000s storytellers worldwide

The moments producers come to us for.

Your team is everywhere

Shooting in one city, cutting in another, VFX in a third. Every handoff is a chance for the wrong version to win. Keep every location working from the same files, automatically.

Delivery day

The network, the festival and the distributor all want files by Friday. One transfer that doesn’t land and the date slips. Send it fast and securely, and know it’s arrived.

Notes can’t wait

The editor finishes as your day ends. If notes wait for the next time zone to wake up, you lose a day. Review the cut together in real time, from wherever you are.

Something breaks at 11pm

Mid-shoot, mid-delivery, mid-night. Your team shouldn’t be logging a ticket. They should be talking to a real engineer who knows your setup. That’s what 24/7 support means.

One partner. From the first shoot day to final delivery.

You answer for the schedule, the budget and the delivery date. Sohonet covers the whole production with three suites built around how productions actually work.

Media Fabric

The infrastructure your production runs on, fully managed so it’s never your problem. We get your set online from the first shoot day and connect your production office. Dailies get from set to editorial fast, and every location works from the same files, synced automatically. Studio-grade security and 24/7 support from engineers who know your setup sit behind all of it.

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Review Suite

Every review moment covered, wherever you are. Watch dailies on your own schedule, join the cut live while the editor is still in the edit, and sign off on the grade remotely in colour-accurate 4K HDR. Three purpose-built platforms from a multi-Emmy-winning suite, on whatever screen you’ve got, for up to 40 viewers at once.

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Asset Management Suite

Every file moving, every version right and every delivery landed. Send dailies, masters and deliverables of any size straight from the browser, with nothing to install and no per-GB fees. Keep files, teams and approvals in one secure place, so nobody is asking which version is final.

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Built for your pace. Let's talk.

Where you're shooting, where you're cutting, where the episodes need to land. Walk us through how your production runs, and we'll show you where we can take the pressure off, from the first location online to the last deliverable out the door. No hard sell. Just a conversation with folks who've been inside production for 30 years.

The same pressure, at every scale.

A showrunner joining from airports. Hundreds of VFX shots moving every day. Half an hour between meetings to give notes. Whatever the show, the producer’s job is the same: keep everyone on the same picture and get the work where it needs to be, on time. Here’s how three productions did it with Sohonet.

Producer Sean Sforza on making The Beast in Me

Dailies from New Jersey, editors in New York and LA, a showrunner joining from airports. ClearView kept them all looking at the same image, same colour, same time, from look tests and dailies through editorial notes, music spotting and final mix.

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Behind Netflix's Emmy-nominated Monster: FileRunner & Bind Studio on the VFX

Up to 350 VFX shots an episode, moving daily between editorial, the vendor and Netflix. Here's how FileRunner kept every shot package moving, and how Bind Studio turned each delivery into a ready-to-review playlist the moment it landed.

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Seth MacFarlane and Tom Costantino, ACE, on ClearView Flex for Ted

A showrunner with half an hour between meetings, an editor in another location and VFX reviews that can't wait. On Peacock's Ted, ClearView Flex let the team edit, review VFX and run spotting sessions from anywhere, on a laptop, an app or an Apple TV.

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"With producers, getting everyone physically in the same room at the same time is harder than ever. Once we’re in the producer cut, ClearView makes it simple: anyone can join from any location at any step of the process allowing the most efficient use of everyone's time."

SEAN SFORZA | PRODUCER | THE BEAST IN ME